Artwork File Covers

For the reason that daybreak of modernism, visible and music manufacturing have had a very intimate relationship. From Luigi Russolo’s 1913 Futurist manifesto L’Arte dei Rumori (The Artwork of Noise) to Marcel Duchamp’s 1925 double-sided discs Rotoreliefs, the twentieth century noticed ever extra fertile alternate between sounds and shapes, marks and melodies, and completely different fields of composition and efficiency.

In Francesco Spampinato’s distinctive anthology of artists’ file covers, we uncover the rhythm of this explicit cultural historical past. The guide presents 500 covers and information by visible artists from the Fifties by way of to in the present day, exploring how modernism, Pop Artwork, Conceptual Artwork, postmodernism, and numerous types of up to date artwork follow have all knowledgeable this collateral area of visible manufacturing and supported the mass distribution of music with defining imagery that swiftly and suggestively evokes an aural encounter.

Alongside the best way, we discover Jean-Michel Basquiat’s city hieroglyphs for his personal Tartown file label, Banksy’s stenciled graffiti for Blur, Damien Hirst’s symbolic cranium for the Hours, and a skewered Salvador Dalí butterfly on Jackie Gleason’s Lonesome Echo. There are insightful analyses and reality sheets alongside the covers itemizing the artist, performer, album identify, label, yr of launch, and data on the unique art work. Interviews with Tauba Auerbach, Shepard Fairey, Kim Gordon, Christian Marclay, Albert Oehlen, and Raymond Pettibon add private accounts on the collaborative relationship between artists and musicians.